The Leave of Leaves
by Thorn1
-
Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
$2 USD or more
-
Full Digital Discography
Get all 9 Thorn1 releases available on Bandcamp and save 50%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Sneg na puti Mira, A Silver Taiga Under the Moonlight, Anything, Snow Covers Everything at Least Six Months in a Year, The Leave of Leaves, The Light of Random Star, Oblivion, O, and 1 more.
Purchasable with gift card$6.50 USD or more (50% OFF)
1. |
The Leave of Leaves
04:22
|
|||
2. |
Lorca
04:57
|
|||
3. |
Stun
10:05
|
|||
4. |
14-40
07:29
|
|||
5. |
Your Troubles Are Over
04:29
|
|||
6. |
Minus Mercury
05:34
|
|||
|
this color of the wind
the sun is melting on my face
i ever walk alone
you are the message to the snow
closer
from me
to the void
and I will be
so far as fast
will i forget the will
the sun is melting on my face
if I could fix a star
you are the message to the snow
closer
from me
to the void
and I will be
so far as fast
and I will slow
my memories
and I will be
so far as fast
|
||||
7. |
||||
about
This album finally threatens to regenerate into something you do not expect. I tried to put maximal honesty and sincerety in The Leave of Leaves and to create music I want to listening to. Without any allowances.
From post-punk to enveloping drone and post-rock, from electronic to raw guitars. But it's not a post-rock, it's not a slowcore, it's not fully lo-fi indie. And it's not willfully eclectic unlike previous albums, and the sound is now much more serious. The Leave of Leaves has a stem and base, tangible from any point.
I believe that this is a pop music of post-modernity, its leitmotif - the cultural and social exclusion. Chopped phrases in Russian and English bares an internal confusion and retrospective look in which I found myself. The farther into the forest, the inaccessible reference points becomes, the more foreigner you become into the forest, the more blurred distant voices heard. The Leave of Leaves is an attempt to build a hut and call someone to become your guest. At least a couple of birds.
14-40
***
Save
Names, distances and dates.
We will forty, there will be rain,
Warm August and thunder.
The album is a logical development of the concept a musician uses for several years. His first works were recorded on a cheap mp3-recorder and were quite harsh lo-fi. Now the primary device is a smartphone (quality defects hardly noticeable - thanks to the experience). Perhaps an author still have to move into the studio and to polish music finally.
Recorded, mixed and mastered in september of 2014 - june of 2015 at home.
From post-punk to enveloping drone and post-rock, from electronic to raw guitars. But it's not a post-rock, it's not a slowcore, it's not fully lo-fi indie. And it's not willfully eclectic unlike previous albums, and the sound is now much more serious. The Leave of Leaves has a stem and base, tangible from any point.
I believe that this is a pop music of post-modernity, its leitmotif - the cultural and social exclusion. Chopped phrases in Russian and English bares an internal confusion and retrospective look in which I found myself. The farther into the forest, the inaccessible reference points becomes, the more foreigner you become into the forest, the more blurred distant voices heard. The Leave of Leaves is an attempt to build a hut and call someone to become your guest. At least a couple of birds.
14-40
***
Save
Names, distances and dates.
We will forty, there will be rain,
Warm August and thunder.
The album is a logical development of the concept a musician uses for several years. His first works were recorded on a cheap mp3-recorder and were quite harsh lo-fi. Now the primary device is a smartphone (quality defects hardly noticeable - thanks to the experience). Perhaps an author still have to move into the studio and to polish music finally.
Recorded, mixed and mastered in september of 2014 - june of 2015 at home.
credits
released February 21, 2016
Evgeny Zheyda - all
(except '14-40' - Innokenty Annensky (1855-1909) - lyrics partially).
Visha Echo - cover
Evgeny Zheyda - all
(except '14-40' - Innokenty Annensky (1855-1909) - lyrics partially).
Visha Echo - cover
license
all rights reserved
tags
about
Thorn1 город Барнаул, Russian Federation
Thorn1 is experimental drone, shoegaze, post rock project of Evgeny Zheyda from Siberia
Russia.
"Visions of high mountains and glaciers sweep over the mindset, as Thorn1, traverse an arête, the audience meanwhile watch crampons hold firmly, as ice picks crack in to position."
~ Indie bands blog
... more
discography
-
Jun 2021 -
Feb 2016 -
Aug 2014 -
Feb 2022 -
Jun 2021 -
Jan 2020 -
Sep 2011 -
Nov 2010 -
May 2008 -
Oct 2006 -
Dec 2011 -
Mar 2011
contact / help
Thorn1 recommends:
-
you've got your own
by RivuletsClassical sadcore
go to album
If you like Thorn1, you may also like:
-
featured on Bandcamp Radio May 20, 2014
go to album -
Hymnal Remixes
by Benoît PioulardKranky artist Benoît Pioulard gets remixed into 19 cinematic and super engaging, mostly instrumental, journeys.
go to album -
58918012’s hatred of piano inspired him to build an entire album around the instrument—which, ironically, led to gorgeous music.
go to album -
The debut full-length lives in a middleground between ambient music and psych-folk.
go to album -
“Bells in New Towns” from Landing balances driving, anthemic post-punk with moments of gauzy dream-pop beauty.
go to album
